24 March 2018

Friends in Low Places



Just the good ol’ boys
Never meanin’ no harm
Beats all you ever saw
Been in trouble with the law
Since the day they was born
- Waylon Jennings Theme from ‘The Dukes of Hazzard’



Welcome to Smashville, home of the Predators. Go Leafs Go!


Just before leaving for New Zealand in 2016, I went up to Toronto to catch a hockey game with one of my oldest and closest friends, Dan Sheehan (Link: Parting is Such Sweet Sorrow). It was after the NHL season was over, so we were watching a World Cup game ... and we really couldn’t afford Maple Leafs tickets anyway. Tickets for major market teams in their home rinks are crazy expensive. When Kari and I have previously seen Montreal play in Raleigh, we ran into the same couple from Montreal more than once. It’s cheaper for them to drive to Raleigh, stay in a hotel, and catch a game there than it is for them to go to a game in Montreal. The sad truth is that I have seen more Maple Leafs games in other rinks than I have at their home rink. The most recent game I attended was also an away game, though for different reasons.

Brooks Hooper and I were in the same General Surgery residency program at Washington Hospital Center, but under completely different circumstances. I scrambled in and I was miserable (Link: Physician, Heal Thyself), while Brooks was a prelim with an escape plan. He was moving on to (mostly) bigger things in Urology (I promise to keep the jokes small, tucked away, relatively clean). We didn’t keep up much after I left for my Emergency Medicine training, but years later he interviewed for a job in Myrtle Beach and we rekindled our friendship. He ended up taking a job in Asheville and moving his young family there. Asheville happens to be one of our favorite destinations away from Myrtle Beach, so Kari and I have caught up with Brooks & Cathy more and more over the last several years. Brooks is also a huge hockey fan. He and I often text/PM each other during the games with our own personal commentary. He’s from Nashville and a Predators fan, and it just so happens that Toronto was playing the Preds in Nashville on a weekend we both had off, so we made plans to meet there for the game. Unfortunately, he got the dates screwed up. I would arrive in Nashville a day before the game and a day before him. Once I knew I would be on my own that first night, I decided to bring my camera and spend that extra day taking photos. With that in mind, I spent a little time scouting photo sites online. I also made a list of burger joints, speakeasies, and other food/drink opportunities to explore. When I was scouting photo locations and food options prior to my trip, burgers kept popping up, so I made it my own mini mission to find the perfect burger in Nashville. As luck would have it, I wouldn’t have to look far to start my journey.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/8, 58mm, ISO 400   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/125, 27mm, ISO 1600   Photo: RGH


Nashville has become a popular destination not just for music fans, but for bachelorette parties, foodies, and others. As such, it was quite difficult to book a hotel room even two months out. I managed to find us a room at the 21c Museum Hotel ... a boutique hotel in the middle of downtown. Yep, it’s spendy, but the location is perfect. The lower level of the hotel is dedicated for art installations, and artwork is spread throughout the rest of the floors. When I was checking in, completely unprompted, the guy at the front desk said, “Be sure to try Gray & Dudley, our restaurant. The burger has won awards.”

Many restaurants claim to have “The Best” or some other award for their burgers, but they can’t all be amazing. Or can they? Let’s face it ... a slab of meat, covered in fresh veggies, stuffed between two pieces of bread is pretty much amazing right out of the gate.


iPhone 7 @ f/1.8, 1/15 , 4mm, ISO 64   Photo: RGH


I ordered my burger, a straight rye, and settled in to wait. The burger came out from the kitchen in reasonable time. The fries were the “skin-on” variety; a particular favorite of mine. On the first bite, they were luke-warm, not very crispy, and way too salty. When dipped in the supplied aioli, however, they were heavenly! The strong garlic flavor of the aioli really cut the sting of the salt. The burger itself was a disappointment. It had so much promise ... just the right amount of the greens, sesame seed bun, a good heft in the hand, and a nice char. Like the fries, it wasn’t very warm, and it was too heavy on the sauces for my palate. I want to taste the burger, not the goo, though I suspect that my Kiwi friends would have been really happy with it (Kiwis love their sauces).


iPhone 7 @ f/1.8, 1/3690, 3.99mm, ISO 20   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/10, 105mm, ISO 800   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/25, 98mm, ISO 1250   Photo: RGH


Scouting potential photo locations online before coming to Nashville, I found some great views of the skyline shot from east of the city. It turns out they were taken from the top floor of a hospital parking garage. I figured if the light was right, I would be able to get some great shots as the sun set and cast a glow against the buildings. With that in mind, I Uber’d it out to the site shortly after eating my burger. I got up to the top deck and set in to wait ... all the while expecting hospital security to swing by and ask why I was creeping in the parking garage. The wind was blowing and it was getting cold, but it wasn’t getting dark. I pulled out my phone to double check that I had the time for sunset right and that’s when I realized my mistake. I hadn’t set my watch for the new time zone I was in. I was an hour early! I killed some time by walking around the neighborhood. Have you ever noticed that hospitals often aren’t in the best part of town?

Back in the parking garage and trying to stay out of the cold, I finally gave up and ducked into the hospital. I found a bench looking out over the city and waited for the sun to start going down. The window looked straight out and down a major thoroughfare into the city. I shot the second picture of the three above through that window ... and it turned out to be my favorite of the bunch. Sometimes, it’s good to be lucky. I headed back out to the parking garage to capture a few night shots then caught an Uber back into town.


iPhone 7 @ f/1.8, 1/15, 3.99mm, ISO 200   Photo: RGH

iPhone 7 @ f/1.8, 1/4, 3.99mm, ISO 125   Photo: RGH


My next destination was The Pharmacy Burger Parlor & Beer Garden for another one of Nashville’s “Best” burgers. The restaurant is located in East Nashville and was about 2 miles from my hotel, so I decided to walk. It was an easy enough hike over a bridge spanning the Cumberland River and down past Nissan Stadium. Once I got past the stadium, the neighborhood got decidedly more sketchy. Brooks describes it as “bombed out”. Walking in an unfamiliar city, alone, at night, is a good way to get yourself killed. Fortunately, I made no missteps and had no mishaps or malfeasance come my way.  After I covered about 2/3 of the distance, I turned into a residential neighborhood lined with well kept homes and had a pleasant walk through the crisp night air to my destination. The reviews forwarn that the place is packed and there is always a line, and this night was no exception. I stepped through the doors into a crowd of waiting people. I was only one, though, and when I asked for a seat at the bar they squeezed me in up against a pillar.

The service was fast and friendly. I had but a few sips of a local IPA before my food was set down in front of me. It wasn’t pretty, it wasn’t fancy, but it was damned good. The burger patty was a misshapen slab of ground beef (“mince” to you Kiwis), and the first bite was heavenly. Do you remember the 1980’s McDonalds BLT? It came in a special styrofoam container to “keep the hot side hot and the cold side cold”. This one was just like that, but better. The burger itself was properly warm and the veggies, a perfect proportion of lettuce, tomato, pickles, and onion were cold and crispy. This is a plane-jane burger with simple ingredients and no sauces, but it worked.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/125, 44mm, ISO 1600   Photo: RGH

  
Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/125, 70mm, ISO 1600   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/125, 50mm, ISO 1600   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/25, 40mm, ISO 1600   Photo: RGH


Given the late hour, and sketchy streets I had to traverse back into the city, I chose to Uber it back. My destination was a hidden speak-easy. Alas, it appears to have shut down, or possibly moved. In any event, the building was boarded up, dark, and foreboding so I decided not to get out of the car and just had the driver take me back to the hotel. With that plan shot, I had little choice but to head out and brave Broadway. Nashville and Austin can fight over the title of “Live Music Capital” but being on Broadway seemed no different to me than being on 6th St. Both are places I need never visit again. Noisy, dirty, smelly and full of drunk young women shouting “Woooo!” and drunk young men trying hard not to look too drunk. I wandered the street, shot some photos, then went off-off-off Broadway to find a place more my style since I had plans for the early morning hours.


Nashville   Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/10, 32mm, ISO 1000   Photo: RGH

Concrete buttress, pedestrian bridge   Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/15, 55mm, ISO 400   Photo: RGH

Korean War Veterans Blvd bridge   Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/15, 120mm, ISO 250   Photo: RGH


Being up before the sun in a city like Nashville is an interesting way to start the day. My hotel was just a few blocks away from Broadway and it’s an empty place at 5 am. The previous night’s detritus litters the street, and the only people awake are the trash collectors and construction crews. My plan was to walk through town to a pedestrian bridge that spans the river and capture some early morning skyline photos from across the water. The bridge offers fantastic views of the river and its banks, but I wanted to get down to the waterfront across from the city. Technically, the park was closed until daylight, but there were no gates, and at that hour, no-one around to stop me. Once again, the morning was cold ... 33F/1C. When I got to Riverfront Park, there was frost on the grass and I could see my breath. This latter fact proved to be a problem, fogging up my viewfinder when I was trying to focus the camera. I ended up shooting “blind” more than once.

The John Seigenthaler Pedestrian Bridge was built in 1909 as a vehicular bridge to connect Sparkman St and Shelby Ave. Originally known as the Sparkman St Bridge, it fell into disrepair and was closed to vehicular traffic in 1998. It was set to be demolished, but was refurbished and re-purposed into one of the longest pedestrian bridges in the world. From the bridge looking SE along the river, the Korean Veterans Blvd bridge was built to handle vehicular traffic after the Sparkman St bridge was closed. In the photo above, the “rainbow” reflected in the building windows is the Korean Veterans Blvd bridge. It’s a reminder to me to be aware of my surroundings ... I did not see this reflection until I was done shooting and was walking back over the bridge to the city. I think it would have been a great shot to get when the skies were a little darker.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/6, 24mm, ISO 100   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/3, 38mm, ISO 400   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/2, 38mm, ISO 400   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/2, 30mm, ISO 400   Photo: RGH


Early in the morning, if you’re looking for somewhere to eat, follow the construction crews. They know where to get a hearty breakfast on the cheap. I was cutting through a back street to Broadway and my hotel to find breakfast when my way was blocked by a crowd of hard hats and safety vests. Glancing to my left, I saw a packed diner, so changed my plans and stepped inside. I found a seat a little off by myself, placed my order, and buried my head in my notebook to do some writing. Though the food and coffee were nothing special, it was hot and in generous portions, and the service was fast and friendly without being intrusive.

In short order, the diner emptied out and the staff started cleaning up and eating their own breakfast. The banter and shade were being thrown back and forth, and eventually I got dragged into it. One of the workers asked me to take photos of the others “as evidence”. I told them I never heard nothing, never saw nothing, and in fact was never there. This just got the banter up to a fever pitch. They allowed me to take a few pics inside the diner, though not of them. Afterward, one of the staff told me to follow her. We wound our way through a maze of hallways popping through secret doors into an Italian restaurant, a honky-tonk, and a country karaoke bar. The old building was absolutely amazing inside. From the street, you would never know all these businesses occupy the same space. Thanks to everyone at Sun Diner ... you helped to start my day off right.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/1250, 24mm, ISO 100   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/100, 50mm, ISO 100   Photo: RGH

  
Look closely   AF-S 24-120mm f/4G ED VR @ f/10, 1/100, 34mm, ISO 100 // @ f/10, 1/100, 105mm, ISO 100   Photos: RGH


Back out into the sunlight, and a steadily warming day, I headed for an area called The Gulch. Gentrified, with spendy condos and fancy restaurants, its seedy side can still be found if you know where to look. One of the other benefits of being up and about early in the morning is that there’s no one around to tell you “No” or to catch you hopping fences ... not that I would ever do that. Besides, if the fences are already down, I didn’t really “hop” any, right? By this time, the day was getting long and I was getting tired. I had a long trek back to the hotel where I hoped to catch a nap before Brooks would arrive at noon(ish). Unfortunately, he was stuck in traffic and bored, so kept calling/texting me. So much for my old-man nap.


  
iPhone 7 @ f/1.8, 1/12, 3.99mm, ISO 100 // @ f/1.8, 1/15, 3.99mm, ISO 80   Photos: RGH


Brooks finally made it into town just after lunch time. He hadn’t eaten on the road, so I recruited him for the hamburger odyssey tour. He had wheels, and that allowed us to get a little farther away from the city. We ended up at Rotier’s Restaurant. They are famous for their French Bread Burger, but I was unaware of this. Instead, I ordered a regular burger with all the salads (veggies for you non-Kiwis) and no sauces. Serving burgers with a side of attitude since 1945, this place is a Nashville landmark. The burger was as perfect as would be expected. Nothing fancy, just a damned good burger ... and beer in a can. This latter part would be a theme for the rest of the afternoon drink-up, first at Bourbon St Blues & Boogie Bar in the famous Printer’s Alley, then at Robert’s Western World, an old-school honky-tonk on Broadway where the bartender thanked Brooks for not turning tricks in the restroom to pay for our beer.


I ain’t got nothin’ left
But my boots and my guitar
And I’ll sell my boots
Before I sell this guitar
- the only lines we’ve written to our never-to-be-released hit country and western song


The whole purpose of our trip to Nash-Vegas was to watch the Predators take on the Toronto Maple Leafs. The town was full of blue and white and I fell into a familiar accent and rhythm. As the drinking got deeper, my accent got thicker, helped along by some friendly Canadians (redundant, I know) on barstools beside us. Brooks had managed to score us two tickets on the glass, adjacent to the Predators’ bench. The seating arrangement went like this ... Me, Brooks, P.K. Subban ... and it was as glorious as it sounds. First, though, we needed to get to our hotel and change. The tickets came with access to the Lexus Lounge where we would enjoy free food and liquor for two hours before the game and an hour afterward.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/50, 120mm, ISO 100   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/5.6, 1/80, 120mm, ISO 100   Photo: RGH

  
AF-S 24-120mm f/4G ED VR @ f/8, 1/13, 66mm, ISO 100 // @ f/8, 1/13, 92mm, ISO 100   Photos: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/10, 1/20, 120mm, ISO 100   Photo: RGH


I’m not going to recap the game. I will just say that it was as fast and hard-fought as both Brooks and I hoped it would be. Those guys are big, fast, and just damned good at what they do. Fortunately, the Leafs emerged on the right side of a 5-2 drubbing.

When your team loses, there are consequences ...


iPhone 7 @ f/1.8, 1/4, 3.99mm, ISO 100   Photo: RGH


An amusing end to this tale ...

We’re a little too old to be drinking all day and still be able to hang all night, so we were back in the hotel and asleep some time around 1 am. Brooks forgot to text his wife, Cathy, when we got in and promptly fell asleep. Cathy tried texting him, but he was snoring hard. Worried about him, she checked his find-my-phone function. Well, our hotel was right near the local jail, and Cathy spent the night thinking we were in the lock-up. Brooks dropped me at the airport after breakfast and got on the road to plead his case.



Nikon D750 + AF-S 24-120mm f/4G ED VR @ f/8, 1/15, 38mm, ISO 100   Photo: RGH

He’s in the jailhouse now ...





18 March 2018

Caught In the Camera Eye




Few would now be found to deny the claims of photography to rank among the fine arts when skillfully used and properly controlled, and the contention that it was only convenient for use in the reproduction of already existing pictures, in scientific and historic records, reproductive printing and kindred subjects, would only find favor with a small minority. The photograph of today is something more than a mechanical reproduction. The individuality of the photographer is being expressed in his work almost as much as in that of the painter, and while critics are discussing if there be art in photography, photographers are settling the question for themselves.
A Lecture on the Application of Artisitic Composition in Photography. The Photographic Times, Vol 37, p361 (1905)



Nikon D810 + AF-S 28-300mm f/3.5-5.6G ED VR @ 82mm, f/6.3, 1/160, ISO 100.   Photo RGH


I have previously written about how I'm not much of an artist. My writing is more technical and "scholarly" than entertaining. I have taught myself a few songs on the guitar, but would never be confused with an actual guitar player. And when it comes to my photography, I am a technician (unlike Kari who is much more intuitive behind a camera). I hesitate to call myself a photographer, and I certainly do not consider myself an artist. I'm just a guy with a camera.

Photography, just as in any other art medium, is about the way someone sees and presents his subject. A Photographer is a composition artist. Without good composition, it doesn't matter the subject or how well it's exposed. The "art" in photography lies in how the photographer manipulates light, composition, and emotion. It's this last aspect where I struggle. I have an idea of what I want to photograph and what I want to exclude, and I have a pretty good idea how to bring out the highlights that I want, but trying to get my photos to tell a story or project a feeling is tough. I find it hard to define what is "great" about a photo that someone else took, so I find it doubly difficult to create that feeling in my own.

When Kari and I first picked up our "grown-up" camera, we had no idea how to manipulate its various functions. We basically left it in "Auto" mode and used it like a point-and-shoot. Quell horreur! As a result, most of our pics from that time period are pretty much crap. Still, we managed to put together a few frames that have stood the test of time. We gradually started taking more control of the camera functions, to the point where we both now shoot in full manual mode (except for some very specific circumstances where we let the camera control one or two aspects). While that control has helped to improve our photography, our ability to frame and compose an image has had at least as much influence on the increasing quality of our photos. I have seen a clear improvement in the photos I have taken over the past year, and Kari feels the same way about her own photography. There is no substitute for getting out and taking pictures, and while having a great camera helps, we have noticed that even our cell phone pics are much better as well. It really isn't about the camera equipment that we use, but the vision of the person shooting.

Since leaving New Zealand, our lives have become exponentially more complicated. As a result, our ability to get out and shoot has been limited. Still, we have managed to put together a small number of photos that stand out above the others.


Nikon D750 + AF-S 105mm f/2.8G IF-ED VR @ f/3, 1/250, ISO 400.   Photo: RGH

Nikon D750 + AF-S 105mm f/2.8G IF-ED VR @ f/14, 1/160, ISO 100.   Photo: RGH


Adding to our ever-growing collection of lenses, we recently picked up a used Nikon AF-S 105mm f/2.8G IF-ED VR Micro lens. Kari does a lot of macro work, and getting her a dedicated lens was one of my goals. Incidentally, it’s a really good portrait lens. The biggest issue I have been having is that I have to get right up into people’s grills with this one. It’s a proximity I’m not super comfortable with ... and I’m sure it’s not so comfortable for those of whom I am taking pictures. We have spent quite a bit of time with some good friends lately, and Nate has been a really good sport about letting me shove my camera in his face.

It is a macro lens, so we have been trying to learn how to put it to that use, too.

Nikon D750 + AF-S 105mm f/2.8G IF-ED VR @ f/3, 1/200, ISO 100.   Photo: RGH

Nikon D810 + AF-S 105mm f/2.8G IF-ED VR @ f/3.5, 1/2000, ISO 64.   Photo: KAH


Kari and I have reached a point where we are both often carrying a camera. That’s a set-up that doesn’t work out so well when we only have one camera to share, so our plan was to buy a second camera body before moving back to New Zealand. Back in November, the camera I had been thinking about purchasing went on sale at a ridiculously low price and I couldn’t pass it up. I made my first ever Black Friday purchase and we are now the proud parents of a Nikon D750. We bundled it with a Nikon AF-S 24-120mm f/4G ED VR lens. Now, Kari uses the D810 and I use the D750. We have 4 lenses to choose from, and once we pick up a 300mm prime lens, we’ll be done with new equipment for a while.

I chose the D750 over another D810 or the just-introduced D850 for a couple of reasons. Certainly price was a factor ... the D750, even without the deep discount, retails for $1000 less than the D810, and $1500 less than the D850. But to be honest, I would have picked the D750 even if the prices had been the same. As I’ve started doing more street photography, I thought the articulating rear display would be helpful. I also shoot a lot of Little H’s sports and the D750 seemed to be a better set-up for this. Finally, the D750's reported outstanding low light performance has certainly proven to be true. It was just a bonus that it was also a slightly smaller and lighter camera than either of the other two, and when I am carrying it hand-held for a long period of time, it's noticeably more comfortable than the D810.


Nikon D750 + AF-S 28-300mm f/3.5-5.6G ED VR @ 300mm, f/5.6, 1/1600, ISO 8000.   Photo: RGH

Nikon D750 + AF-S 28-300mm f/3.5-5.6G ED VR @ 300mm, f/5.6, 1/1000, ISO 4000.   Photo: RGH


Little H starting playing volleyball in New Zealand and really enjoyed it. On our return to the U.S., we looked for a team for her to join. At first, she wasn’t nearly as happy as she was playing with her friends in New Zealand, but once her team’s skills improved and they started playing well together, she started having a lot more fun. Club volleyball involves quite a bit of travel, and that has fallen primarily to Kari to sort out. I was fortunate to be able to get to one of the away tournaments. I didn’t think much about shooting the games before I got there and found it quite challenging once I started. The game moves quickly, it’s hard to follow the ball through the camera lens, and the lighting inside of high school gymnasia leaves a lot to be desired. I shot over 200 pictures in the course of the day and only had about 7-8 that were even usable. I have since spent quite a bit of time online, reading about how to shoot indoor volleyball, and I was excited to put my new knowledge to the test. Unfortunately, the season is over and I never got that second chance.

Immediately after we returned to the U.S., and before our lives got turned upside-down trying to renovate our house, Kari and I spent a little bit of time photographing in and around Murrells Inlet. Driving home from the hospital in the mornings, the light was always amazing. On my way home, I stopped a couple of times to watch the inlet awaken. Another morning, Kari and I went to one of our local state parks to shoot birds.


Nikon D810 + AF-S 28-300mm f/3.5-5.6G ED VR @ 180mm, f/5.6, 1/8, ISO 64.   Photo: RGH

Nikon D750 + AF-S 28-300mm f/3.5-5.6G ED VR @ 300mm, f/6.3, 1/1250, ISO 400.   Photo: RGH

Nikon D750 + AF-S 28-300mm f/3.5-5.6G ED VR @ 300mm, f/6.3, 1/1250,  ISO 400.   Photo: RGH

Nikon D810 + AF-S 24-120mm f/4G ED VR @ 52mm, f/4.5, 1/250, ISO 64.   Photo: KAH


Even Little H has decided to get in on our new hobby.

Nikon D810 + AF-S 28-300mm f/3.5-5.6G ED VR @ 42mm, f/4, 1/30, ISO 1000.   Photo: Little H

Nikon D810 + AF-S 28-300mm f/3.5-5.6G ED VR @ 78mm, f/7.1, 1/200, ISO 1000.   Photo: Little H


Each year, our hospital Christmas party is held at Brookgreen Gardens, one of our local cultural centers. Initially the private residence and gardens of Collis Potter Huntington and his wife Anna Hyatt Huntington, it is now a sculpture garden and wildlife preserve that covers over 15 sqmi. The area features over 1400 sculptures by Anna Huntington, her sister Harriet Randolph Hyatt Mayor, and other American sculptors. The Nights of a Thousand Candles event is held every December and features more than 5500 hand-lit candles. It is truly a magical place on those nights. Unfortunately for the night of the Christmas party, the weather did not cooperate. Little H dubbed it the Night of 1000 Unlit Candles. It was cold and drizzly, and the candles weren't lit, but it still made for a pretty cool walk.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ 32mm, f/4, 1/60, ISO 8000.   Photo: RGH

Nikon D750 + AF-S 24-120mm f/4G ED VR @ 24mm, f/4, 1/30, ISO 2800.   Photo: RGH


My brother and SIL live on a lake northeast of Toronto. Summer and winter visits are generally pretty low-key, although we do try to get out and enjoy the land and the woods. We make the occasional trek into town for supplies, but mostly we while the days away doing as little as possible. This year we were fortunate to have 10 days off after Christmas to head up for an extended visit. We had the misfortune of going there during a stretch of record low temperatures. As a result, sojourns outside were necessarily brief.


Nikon D750 + AF-S 24-120mm f/4G ED VR @ 50mm, f/5.6, 1/3, ISO 100.   Photo: RGH

Nikon D750 + AF-S 16-35mm f/4G ED VR @ 26mm, f/5.6, 1/200, ISO 100.   Photo: RGH

Nikon D750 + AF-S 16-35mm f/4G ED VR @ 29mm, f/4, 1/500, ISO 100.   Photo: RGH


With all of the options available to her, Kari seems to have a preference for the 24-120mm f/4G ... it’s her “go-to” lens of late (it’s probably my favorite, too). She spent a few days in Delaware with her friend, Kelley. Then, when my SIL was visiting, they spent a day at Hopsewee Plantation. While these weren’t dedicated photography outings, she has started to make a habit of taking a camera with her, even on short trips.


Nikon D810 + AF-S 24-120mm f/4G ED VR @ 58mm, f/4, 1/3200, ISO 64.   Photo: KAH

Nikon D810 + AF-S 24-120mm f/4G ED VR @ 120mm, f/4, 1/60, ISO 64.   Photo: KAH

Nikon D810 + AF-S 24-120mm f/4G ED VR @ 31mm, f/14, 1/50, ISO 64.   Photo: KAH

Nikon D810 + AF-S 24-120mm f/4G ED VR @ 120mm, f/13, 1/40, ISO 64.   Photo: KAH

Nikon D810 + AF-S 24-120mm f/4G ED VR @ 100mm, f/4.5, 1/40, ISO 64.   Photo: KAH


Living in New Zealand, I tried to sling the camera over my shoulder whenever we walked out the door, a habit I have fallen out of since returning to the U.S. I think we sometime see the places we live as being somewhat mundane, boring, and not really worth photographing. In New Zealand, everywhere we went, we took along a sense of wonder and adventure. I think we had that same impression when we first returned to the U.S., but we quickly fell back into familiar patterns. My goal over our few remaining months here is to try to see this place with bright and wondrous eyes.





Sittin' in the mornin' sun.
I'll be sittin' when the evening comes ...